Relationships in manga, notably in shojo and josei, tend to be pretty same-y, in that they are usually between a girl/woman and a boy/man. (Which is fine. All you hetero people can sit back down. I’m not about to start denigrating your lifestyle here or anything.) And they tend to follow the same set patterns: boy wants girl who does not want boy, girl wants boy who does not want girl, mutual want but: obstacles, mutual non-want but: forced together, and then the rarest of beasts: mutual want, happy relationship. Of course, there are variants and various degrees of rapey-ness, but on the whole, we get a whole lot of one lady-one man in mainstream manga. And sure, I can turn to my beloved BL, but even there, the preponderance of work is one dude (or dude-creature) for one dude (dude-creature).
None of these relationship patterns are good or bad in and of themselves. It’s just, I am so interested in all the ways we human beings relate to each other and how those relationships change depending on the perspective we come at them from. So I get excited about work that presents new perspectives on relationship styles. Which is why when I saw 1122 prominently displayed in my favourite bookstore, I was intrigued enough to pick it up. It was part of a display of josei manga that had been featured on TV recently, and whoever did the featuring had some pretty good taste; Aoi Ikebe’s Zassou and Princess Maison, along with Ryo Ikuemi’s Anata were also prominently displayed. The little blurb for 1122 noted that this couple had their own way of doing things when it came to sex and love. They were *gasp* in an open relationship. (Or: official cheating, in the Japanese, which I love. Sounds like they went to city hall and got certified to cheat or something.) (more…)