As always, my favourite thing about being back in Tokyo is being able to pop into a bookstore whenever and wherever I want, unlike in Toronto, where I have to make a specific trip to find books. But Tokyo is just littered with the things. Books everywhere! My second favourite thing, though, might be getting to go to tiny art shows in tiny event spaces. I always like to stop in at the Sanyodo on the corner when I’m in Omotesando; they usually have an exhibit by an artist I’ve never heard of on the second floor. Plus books on the first floor! Vanilla Gallery in Ginza is always good for strange erotic art and half the time (it seems) they’re having an Usamaru Furuya show. But mostly, I end up popping in on random shows that get tweeted into my timeline from some part of the Japanese twittersphere. Sometimes, I have no idea what part that might be, but other times, it’s an artist I follow. Which is obviously the most exciting kind of random show.
The recent Machiko Kyo show at Title was one such exhibit. It closed a couple days after I arrived, but I managed to fight back my jetlag for long enough to make the trek to Ogikubo and look at some of her original pages for her Sennen Gaho + 10 Years. It was perhaps the tiniest of tiny art shows I’ve ever been to; there were maybe twelve pieces on display. The larger part of the small space was taken up with merchandise, which is the way of all Japanese shows. And like a good consumer, I did my part, picking up yet another clear file (what am I going to do with all these clear files??) among other things, but they also had a solid selection of Kyo’s back catalogue set out. We all know that my brain is a fan, so there wasn’t much there we hadn’t already battled. But then my eyes caught sight of Momo, a full-colour treat that was serialized at Hanatsubaki and wrapped up earlier this year. A treat my brain had not battled yet. So naturally, I grabbed the two slim volumes and headed to a café to dig in. (more…)